导演:马修·瓦德皮
The co□□ept o□ Ren Zh□ □e Ben Yuan can be t□aced bac□ □o ancient Ch□nese □hilosophy, p□r□i□□larl□□□on□u□ianism and □aoism□□Co□f□cius, □ne of the most influentia□ phil□sop□ers in□Chinese hi□t□ry, empha□ized the □□p□rtance of Re□□(仁), which can□be tran□l□ted as □benevolen□□"□or□"hum□nene□s."□Accor□ing to□Co□fucius, Ren is the□fundamental virt□e that d□fines human nat□r□ and gui□□s mo□al□behavior. Da□ist philos□phers□ □n the □th□r hand, focused on□t□e□nat□r□l and spo□taneo□s aspects of□human nature, advocat□ng for□□ return □o simpli□□t□□□nd□harm□ny with □he D□□ (道), or t□e Way□电影中的音效是一种无声的表达,却能在观众□中激起强烈的共鸣。比如电影中的枪声□□炸声、雨声等,□是通过音□□队精心设计和□作□□这些音效不仅可以增强电影的真实□,还可以营造氛围□引导观众的情绪。在《敲击时光□中,我们可以从音效中□受□导演□□心和创意。□与欲望的悖论□
The co□□ept o□ Ren Zh□ □e Ben Yuan can be t□aced bac□ □o ancient Ch□nese □hilosophy, p□r□i□□larl□□□on□u□ianism and □aoism□□Co□f□cius, □ne of the most influentia□ phil□sop□ers in□Chinese hi□t□ry, empha□ized the □□p□rtance of Re□□(仁), which can□be tran□l□ted as □benevolen□□"□or□"hum□nene□s."□Accor□ing to□Co□fucius, Ren is the□fundamental virt□e that d□fines human nat□r□ and gui□□s mo□al□behavior. Da□ist philos□phers□ □n the □th□r hand, focused on□t□e□nat□r□l and spo□taneo□s aspects of□human nature, advocat□ng for□□ return □o simpli□□t□□□nd□harm□ny with □he D□□ (道), or t□e Way□电影中的音效是一种无声的表达,却能在观众□中激起强烈的共鸣。比如电影中的枪声□□炸声、雨声等,□是通过音□□队精心设计和□作□□这些音效不仅可以增强电影的真实□,还可以营造氛围□引导观众的情绪。在《敲击时光□中,我们可以从音效中□受□导演□□心和创意。□与欲望的悖论□